L'École de musique de Chetham, est une école indépendante spécialisée dans la musique située à Manchester, au nord-ouest de l'Angleterre. Elle est créée en 1969 et incorpore alors la Chetham's Hospital School, école de charité fondée par Humphrey Chetham en 1653. L'école a aujourd'hui 295 élèves, ce qui en fait la plus importante école de musique du Royaume-Uni. Les bâtiments originaux datent de 1421 et sont toujours utilisés. L'hôpital de Chetham héberge également la bibliothèque de Chetham, plus ancienne bibliothèque publique du Royaume-Uni. L'école est ouverte à tous, quel que soit le milieu social d'origine et les moyens financiers. Des bourses sont disponibles pour les étudiants étrangers. L'admission se fait sur audition musicale, et est fondée sur le talent et le potentiel musical des élèves, ce qui n'empêche pas l'école d'avoir de très bons résultats.

1. Anciens élèves

Daniel Harding, chef d'orchestre Ronan Khalil, claveciniste Peter Donohoe, pianiste Simon Callaghan, pianiste

1. Notes et références

Portail de la musique Portail de Manchester et de son comté Portail des monuments classés au Royaume-Uni

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Chetham's School of Music

Chetham's School of Music () is a private co-educational boarding and day music school in Manchester, England. Chetham's educates pupils between the ages of 8 and 18, all of whom enter via musical auditions. The music school was established in 1969 from Chetham's Hospital School, founded as a charity school by Humphrey Chetham in 1653. After becoming a boys' grammar school in 1952, the school turned to music as its speciality, at the same time becoming a private school and accepting its first female students. There are approximately 300 students on roll, including a large sixth form making up around half of the school. Approximately two-thirds of students board on site, with others travelling in as day students from around Greater Manchester. The oldest parts of the school date to the 1420s, when the building was constructed as a residence for priests of the church which is now Manchester Cathedral. These parts are listed buildings housing Chetham's Library. Academic and music teaching moved into a new, building in 2012; this replaced the Victorian Palatine building and allowed easier access for concert visitors. A 482-seat concert hall, Stoller Hall, opened within the New School Building in 2017.
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Chetham's Library

Chetham's Library in Manchester, England, is the oldest free public reference library in the English-speaking world. Chetham's Hospital, which contains both the library and Chetham's School of Music, was established in 1653 under the will of Humphrey Chetham (1580–1653), for the education of "the sons of honest, industrious and painful parents", and a library for the use of scholars. The library has been in continuous use since 1653. It operates as an independent charity. The library holds more than 100,000 volumes of printed books, of which 60,000 were published before 1851 including a copy of the Nuremberg Chronicle annotated by Thomas Gudlawe. Collections include 16th- and 17th-century printed works, periodicals and journals, local history sources, broadsides and ephemera. In addition to print materials, the library holds a collection of over 1,000 manuscripts, including 41 medieval texts. Chetham's Library is an Accredited Museum under the Arts Council England Accreditation scheme. The whole of its collections are Designated as a collection of national and international importance under the Museums, Libraries and Archives Council Designation scheme, now administered by Arts Council England. Paintings featured as a part of the library's fine arts collection include portraits of William Whitaker, the Reverend John Radcliffe, Robert Thyer, the Reverend Francis Robert Raines, and Elizabeth Leigh. The collection includes An Allegory with Putti and Satyrs, oil on canvas, attributed to 16th-century artist and Netherlander Vincent Sellaer. One of the most substantial collections pertains to Belle Vue Zoo and Gardens, Manchester's most renowned entertainment attraction and zoological centre, in operation from the 1830s to the 1980s. The collection contains thousands of posters, programmes and photographs, as well as the financial and business papers of the owner, John Jennison; large numbers of items in this collection are available in digitised form online. A 2014 grant of £45,000 obtained by Chetham's Library allowed curators to make the collection available to online users, via digitization projects.
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English Football Hall of Fame

The English Football Hall of Fame is housed at the National Football Museum in Manchester, England. The Hall aims to celebrate and highlight the achievements of the all-time top English footballing talents, as well as non-English players and managers who have become significant figures in the history of the English game. New members are added each year, with an induction ceremony held in the autumn, formerly at varying locations, but exclusively at the Museum itself following its move to Manchester's Urbis building in 2012. The Hall is on permanent display at the Museum. An accompanying book, The Football Hall of Fame: The Official Guide to the Greatest Footballing Legends of All Time, was first published in October 2005 by Robson Books. Authored by football historian Rob Galvin and the Museum's founding curator Mark Bushell, it is updated every year with the newest inductees, containing an in-depth profile about the career and reputation of each one, along with a select exhibit from the Museum which relates to their achievements.
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Urbis

Urbis is a building in Manchester, England, designed by Ian Simpson, which opened in 2002 as part of the redevelopment of Exchange Square. Originally a Museum of the City, a switch was made in 2005-06 to presenting exhibitions on popular culture alongside talks, gigs and special events. Urbis closed in 2010, reopening in 2012 as the National Football Museum.
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Harry Langton Collection

The Harry Langton Collection includes cultural and sporting items relating to the history of football and forms the core of both the National Football Museum in Manchester, England and the World Rugby Museum, housed in the South Stand of Twickenham Stadium. It was created by Harry Langton (10 November 1929 – 6 September 2000), a sports journalist, after he took early retirement in 1972 from the Daily Express, a British newspaper, to launch Sports Design, a business publishing and selling sporting prints in London. With premises in Islington and the Camden Passage antique market on his doorstep, Langton soon ventured into dealing in old sporting prints, paintings and antiques. There was little market then for football, his own special interest, and over the last two decades of the century he gradually built up a vast quantity of football art and antiques illustrating the long, and global, history of the game. All codes were included. In 1981 an early display of this collection was viewed and praised by Sir Stanley Rous, the former Secretary of the Football Association, which encouraged further collecting with the idea of making it available to a wider public. Already it was attracting attention abroad. Some exhibits traveled to Germany for the opening of a Munich bank. Others appeared as black and white photographs at 'Fussball in der Vitrine' at the Galerie Littmann in Baumleingasse Basel in May 1982. In the spring of 1987 after many fruitless applications to municipal authorities for exhibition space, Sports Design presented 'Football Art – the Langton Collection' at the Wingfield Sporting Gallery in south-west London. Serious recognition arrived when the Tyne and Wear Museums Service joined the Langton Collection with the 'Soccer in Tyne and Wear 1879-1988 Exhibition' in Newcastle. This ran for two months before moving to Sunderland in January 1989. There it was viewed by an Italian promoter who proposed taking it to Italy for the 1990 Football World Cup. Transported to Rome it was ceremoniously opened at the Spazio Peroni by Silvio Berlusconi, one of whose companies, Gruppo Fininvest, was the major sponsor, and drew visitors throughout the tournament. The following year, to mark the 1991 Rugby World Cup, an exhibition of specifically rugby and old (pre soccer) football art and objects was hosted by the auctioneers Christie's at their South Kensington rooms. The Rugby Football Union later bought the specifically rugby items for the World Rugby Museum. The entire collection crossed the Atlantic in 1994 for the next World Cup. Organised by an American company, the SPI Group, it was displayed at Sotheby's in New York City. By this time problems of moving and preserving the large collection prompted an agreement with SPI that if a suitable buyer could be found it was for sale. Thus the Langton collection eventually became the FIFA Museum Collection in 1996. With support from the Heritage Lottery Fund and the efforts of Bryan Gray, the chairman of Preston North End F.C. it formed the major part of the National Football Museum, opened in Deepdale Preston in February 2001. After the sale of the main collection to FIFA, Langton continued to acquire works in his capacity as consultant. These pieces were designed to fill gaps and not to be comprehensive in themselves. Although Langton was closely involved with the Preston museum, he died in September 2000 before it opened. In 2006, his widow, Ann Langton (9 September 1929 – 12 February 2013), compiled a collection of poetry relating to football, called Saved, A Rare Anthology of Football from Homer to Gazza, which was launched at the National Football Museum's Hall of Fame Awards in Liverpool. Financial problems led to a decision to relocate the National Football Museum to the Urbis building in Manchester, which reopened on 6 July 2012. After the death of Langton's widow Ann in February 2013, the Director of the National Football Museum, Kevin Moore, wrote to her family that: "Without Harry, supported by Ann, there would have been no FIFA Collection and therefore no National Football Museum, and therefore both we and the nation as a whole owe them both a great debt of gratitude." In early 2016 the FIFA Museum Collection was renamed The FIFA-Langton collection by FIFA and NFM. This was in order to avoid confusion between the collection and those of the newly opened FIFA World Football Museum at Enge in Zurich and to better recognise the founding work by Harry Langton in football history and art appreciation.