Modern Two, formerly the Dean Gallery, in Edinburgh, is one of the two buildings housing the Scottish National Gallery of Modern Art, one of Scotland's national art galleries. It is operated by National Galleries Scotland. It is twinned with Modern One which lies on the opposite side of Belford Road.

1. History

In 1727, Andrew Gairdner, an Edinburgh merchant, founded an Institution for the benefit of orphans. In 1734 a collection was made on behalf of the Institution which raised a sum of money which enabled the feuing of an area of ground at 'The Dingwall Park' adjoining the Trinity College Kirk, in the valley between the Netherbow and the Calton Hill in Edinburgh. In the same year, William Adam prepared a plan for an Orphan Hospital and the foundation stone was laid. Children were moved in the following year. At that time the location was largely undeveloped but over the years various developments such as a slaughterhouse and the North Bridge had encroached. Also, the physical condition of the Hospital had deteriorated. It was realised that this situation was affecting the health of the children and the decision was made in 1828 to purchase parts of the land conveniently located just to the west of the city, on higher ground above the Dean Village. Plans for the replacement Orphan Hospital were drawn up by Thomas Hamilton with an original contract cost of £11,849 and the new Hospital was erected between 1831 and 1833. The managers of the Hospital endeavoured to balance the need to secure a suitable building in keeping with its elevated location at a reasonable cost but which did not resemble a workhouse or prison. The building, known as the Dean Orphanage, which is the subject of a watercolour painting c.1830 by Thomas Hamilton, took three years to build. Built in Craigleith stone from the nearby quarry, it is in English Baroque style with classical detail. The towers over the staircases contain chimneys and contribute to the Edinburgh skyline in the west of the city centre. The clock above the entrance comes from the original Orphan Hospital and in turn from the 1764 demolition of the Netherbow Port on the High Street, which formerly separated the High Street from the Canongate. The building, which is owned by the City of Edinburgh Council, served as the Dean Education Centre for many decades before conversion to a gallery. The plot of allotment gardens at the main entrance dates from 1940 when many school grounds were used for such purposes.

1. = Conversion to gallery =

The conversion of the building into a gallery was designed by the architect Terry Farrell and Partners. The gallery opened in 1999 opposite the existing Scottish National Gallery of Modern Art. In 2011, the buildings were rebranded Modern Two and Modern One, respectively.

1. Collection

Modern Two houses the Paolozzi Gift, a collection of works by Sir Eduardo Paolozzi, given by the artist to the Scottish National Gallery of Modern Art in 1994. The gallery also contains a large collection of Dada and Surrealist art and literature, much of which was given by Gabrielle Keiller. Modern Two also houses temporary exhibitions. Modern Two is surrounded by a sculpture garden with a number of modern and avant-garde works on display, including Gate (1972) by William Turnbull, Two Lines up Excentric VI (1977) by George Rickey, La Vierge d'Alsace (1919–1921) by Emile-Antoine Bourdelle, There will be no Miracles Here (2007–2009) by Nathan Coley, Master of the Universe (1989) by Eduardo Paolozzi, Two Two-Way Mirrored Parallelograms Joined with One Side Balanced Spiral Welded Mesh (1996) by Dan Graham, Macduff Circle (2002) by Richard Long, and Escaped Animals (2002) by Julian Opie.

1. References


1. External links

Official National Galleries Scotland web page

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National Galleries of Scotland

The National Galleries of Scotland (Scottish Gaelic: Gailearaidhean Nàiseanta na h-Alba, sometimes also known as National Galleries Scotland) is the executive non-departmental public body that controls the three national galleries of Scotland and two partner galleries, forming part of the National Collections of Scotland. The purpose of National Galleries Scotland (NGS) was set out by an Act of Parliament in the National Galleries of Scotland Act 1906, amended by the National Heritage (Scotland) Act 1985. Its role is to manage the National Galleries of Scotland, care for, preserve and add to the objects in its collections, exhibit artworks to the public and to promote education and public enjoyment and understanding of the Fine Arts. It is governed by a board of trustees who are appointed by ministers of the Scottish Government.
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206 m

Dean Cemetery

The Dean Cemetery is a historically important Victorian cemetery north of the Dean Village, west of Edinburgh city centre, in Scotland. It lies between Queensferry Road and the Water of Leith, bounded on its east side by Dean Path and on its west by the Dean Gallery. A 20th-century extension lies detached from the main cemetery to the north of Ravelston Terrace. The main cemetery is accessible through the main gate on its east side, through a "grace and favour" access door from the grounds of Dean Gallery and from Ravelston Terrace. The modern extension is only accessible at the junction of Dean Path and Queensferry Road.
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240 m

John Watson's Institution

The John Watson's Institution was a school established in Edinburgh, Scotland in 1762. The building was designed in the Greek Revival style in 1825 by architect William Burn, FRSE (1789–1870). Following the closure of the school in 1975, the building was left vacated for a number of years before becoming home to Modern One of the Scottish National Gallery of Modern Art.
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Scottish National Gallery of Modern Art

National Galleries Scotland: Modern (the Scottish National Gallery of Modern Art) is part of National Galleries Scotland, which is based in Edinburgh, Scotland. The Modern houses the collection of modern and contemporary art dating from about 1900 to the present in two buildings, Modern One and Modern Two, that face each other on Belford Road to the west of the city centre. The Modern has a collection of more than 6000 paintings, sculptures, installations, video work, prints and drawings and also stages major exhibitions.