Le palais consulaire est un édifice de style néoclassique situé à Alger, construit en 1889 par l'architecte Henri Petit. Il abrite la chambre algérienne de commerce et d'industrie (CACI).

1. Histoire

L'édifice de forme parallélépipède a été inauguré le 9 janvier 1892. Il subit des dommages lors du séisme du 21 mai 2003, depuis, Des travaux de restauration ont été menés par un spécialiste du musée de Tipaza pour réhabiliter les œuvres d'art et les remettre à leur endroit.

1. Notes et références


1. Voir aussi


1. = Articles connexes =

Chambre algérienne de commerce et d'industrie Liste des palais en Algérie Portail de l’architecture et de l’urbanisme Portail d'Alger Portail du néo-classicisme Portail de l’Algérie

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47 m

Djamaa el Kebir

The Djamaa el Kebir or Great Mosque of Algiers (Arabic: الجامع الكبير, romanized: djama' el-kebir), is a mosque located in the city of Algiers, Algeria. Built in 1097, it is one of the few remaining examples of Almoravid architecture. Although it has undergone other additions and reconstructions since its foundation, it is the oldest mosque in Algiers and is said to be one of the oldest mosques in Algeria after Sidi Okba Mosque and Sidi Ghanem Mosque. The mosque is located in the Casbah of Algiers, a UNESCO World Heritage Site.
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Regency of Algiers

The Regency of Algiers was an early modern semi-independent Ottoman province and nominal vassal state on the Barbary Coast of North Africa from 1516 to 1830. Founded by the privateer brothers Aruj and Hayreddin Reis (also known as the Barbarossa brothers), the Regency succeeded the Kingdom of Tlemcen as a formidable base that waged maritime holy war (Jihad) on European Christian powers. It was ruled by elected regents under a stratocracy led by Janissaries and corsairs. Despite its pirate reputation in Europe, Algiers maintained long-standing diplomatic ties with European states and was a recognized Mediterranean power. The Regency emerged in the 16th-century Ottoman–Habsburg wars. As self-proclaimed ghazis gaining popular support and legitimacy from the religious leaders at the expense of hostile local emirs, the Barbarossa brothers and their successors carved a unique corsair state that drew revenue and political power from its naval warfare against Habsburg Spain. In the 17th century, when the wars between Spain and the Ottoman Empire, Kingdom of France, Kingdom of England and Dutch Republic ended, Barbary corsairs started capturing merchant ships and their crews and goods from these states. When the Ottomans could not prevent these attacks, European powers negotiated directly with Algiers and also took military action against it. This policy would emancipate Algiers from the Ottomans. The Regency held significant naval power in the 16th and 17th centuries and well into the end of the Napoleonic wars despite European naval superiority. Its institutionalised privateering dealt substantial damage to European shipping, took captives for ransom, plundered booty, hijacked ships and eventually demanded regular tribute payments. In the rich and bustling city of Algiers, the Barbary slave trade reached an apex. The Regency also expanded its hold in the interior by allowing a large degree of autonomy to the tribal communities. After the janissary coup of 1659, the Regency became a sovereign military republic, and its rulers were thenceforth elected by the council known as the diwan rather than appointed by the Ottoman sultan previously. Despite wars over territory with Spain and the Maghrebi states in the 18th century, Mediterranean trade and diplomatic relations with European states expanded, as wheat exports secured Algerian revenues after privateering decline. Bureaucratisation efforts stabilized the Regency's government, allowing into office regents such as Mohammed ben-Osman, who maintained Algerian prestige thanks to his public and defensive works. Increased Algerian privateering and demands for tribute started the Barbary Wars at the beginning of the 19th century, when Algiers was decisively defeated for the first time. Internal central authority weakened in Algiers due to political intrigue, failed harvests and the decline of privateering. Violent tribal revolts followed, mainly led by maraboutic orders such as the Darqawis and Tijanis. In 1830, France took advantage of this domestic turmoil to invade. The resulting French conquest of Algeria led to colonial rule until 1962.
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Dar Aziza

Dar Aziza is a 16th-century Moorish palace located in the Casbah of Algiers in Algeria. Today, it houses the National Agency of Archaeology and Protection of Historic Sites and Monuments. Dar Aziza, arguably the most iconic surviving building of its era in Algiers, was part of a large governmental compound known as Janina Palace, which existed before the arrival of Turkish corsairs.
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Bab Dzira

Bab Dzira (in Arabic: باب الدزيرة), also known as Bab El Dzira, was one of the Gates of the Casbah of Algiers, opening onto the sea along the city’s waterfront. It was among the historic city gates of Algiers. In recent years, the name *Bab Dzira* has also been used to designate a new urban space built between Boulevard Che-Guevara and Boulevard Zighoud Youcef, facing the Port of Algiers, designed for public leisure and recreation.
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Dar Mustapha Pacha

Dar Mustapha Pacha (French: Palais Mustapha Pacha) is a Moorish palace, located in the Casbah of Algiers, Algiers, Algeria. It houses the National Museum of Miniatures, Illumination and Calligraphy. It was built by the future Dey Mustapha Pacha between 1798 and 1799. The main entrance to the palace is situated at No. 12 Ahmad and Muhammad Mecheri Street, under a projecting roof terrace which is bordered by rows of Roman tiles. The main door opens onto a sqifa (entrance hall), which leads to the main courtyard of the palace. The courtyard is sheltered with groined vaults and is dispersed with decorative niches which form window-seat benches. There is also a second entrance hall which is overlooked by two marble-framed doors; this connects the main sqifa used by visitors to enter the interior courtyard. The centre of the residential quarters is surrounded by galleries and supported by arches which rest on marble columns and are distinguished by decorative tiles. The ceilings are supported by wooden beams which cover the galleries on the ground floor and the first floor of the palace.